Thursday, December 3, 2009

Hydrology show, Convergence


Well the last month has been busy between helping my mother-in-law move, shows, conferences, school stuff, etc. Didn't realize how long it had been since I posted. I have two pieces in the Hydrology show at the Chelsea Center for the Arts. The opening is tomorrow - Friday, December 4 from 6-9 and yes I'll be there.

Tuesday was the Arts Alliance's first annual conference - Convergence. Hosted at the EMU Student Center, this half day conference addressed the creative economy. I attended a session on artspaces - work/live or just workspaces for artists created out of spaces formerly used for other things like factories, prisons, schools, etc. The session talked about legal/zoning/regulatory issues with setting up such space and was useful.

I also attended a session on the Arts Alliance's new web portal. I'm really excited about the portal - it's going to be a terrific resource for both producers of art and art events (using the word "art" in its broadest sense) and for consumers of same. Whether one is looking for a play to attend, a kiln to fire one's work in, music lessons, gallery openings or artist community the new portal will be a boon for the county. I'm on the advisory panel for the site development but this was a chance to see the site not quite ready to go beta but close. I'll be talking about the site a great deal once we're live.

The keynote session was given by Stuart Rosenfeld about the economic impact of the creative economy. It was an interesting session full of hard data. For me the biggest take-away from his talk was how profoundly under-counted are the economic impact of the arts. It was unfortunate that most elected officials who were invited to the conference didn't come - the message of how much the arts do in terms of economic impact is an important one that needs to reach those people.

After attending TEDx Detroit I was inspired by the mix of music and poetry interspersed with regular sessions. My friend Ken Kozora said that an arts conference needs art and music and poetry and dance - so we brought those elements in. I curated a one day exhibition of visual art for the conference. Artists showing their work included: Lynda Cole, Margaret Parker, Barbara Thomas Yerace, Laura Seligman, Candace Compton Pappas, Martha Ceccio, Anne Savage, Connie Cronenwett, Rick De Troyer, Francsc Burgos, and Barbara Carson.

Ken played his wonderful music three separate times, two of which included dancers Amanda Stanger-Read, Director of Arts in Motion Dance Studio and Christina Sears Etter, Artistic Director of People Dancing. All three musical interludes had my images projected behind them. Poet Chris Lord read us the poem she wrote about the importance of support for the arts. Many of us had first heard that poem when she read it as part of testimony to the state legislature asking them to not cut state arts funding. We ended the conference with a guided improvisation led by Amanda and Christina which had everyone in the room up and participating. It was quite different than most other arts conferences I've attended with the mix of arts and traditional sessions and set a very creative tone. The events were videoed so I hope there will be video available at some point.

Convergence was a terrific way for our local arts community to come together. One of the important things the Arts Alliance has done is to connect people working in different parts of the county in different kinds of art related fields to one another whether it be music, dance, visual arts, theatre, literary arts or arts administration. I appreciate what Tamara Real has done in building these community connections - it's hugely important, especially in economic downturns for the different arts constituencies to work together. And our community just had a real loss with Angela Martin-Barcelona leaving us due to her husband's job change. As marketing director at the Arts Alliance Angela has done a lot to help the arts community and she will be sorely missed!

Tuesday, October 27, 2009

video on embedded light exhibition

http://www.youtube.com/user/GildaSnowden#p/a/0/8pgndMxeRag

This is a nice tour of the exhibition with some low-key commentary, particularly on the techniques involved in various pieces. It's a lovely way to see the show! The video is by Gilda Snowden, a Detroit artist, art professor and curator.

Monday, October 12, 2009

article about Embedded LIght

Here in the CandGnews.com by K. Michelle Moran. Nice to see this show getting attention!

Sunday, October 11, 2009

Embedded Light write-up at GPAA

There's a nice post about the Embedded Light show at the Grosse Pointe Art Center with a few pictures from the opening. The opening was well attended. The center is in a new space as of this year and has just hired a new director. While they are an old organization all of the changes make it feel young and newly energized. There is clearly a lot happening there and I hope it will continue to evolve. It's great to see a Michigan arts organization putting energy and effort into encaustic and national shows. I'm well aware of how much work it takes to put together such exhibitions so kudos to Birgit Huttemann-Holz for making it happen.

Artists in the show:

Shelly Gilchrist
Lucia O Enriquez
Lisa Frank
Leslie Sobel, 3rd prize
Bill Dillon
Alix Christian, honorable mention
MJ Selzer, 1st prize
Patricia Baldwin Seggebruch
Christine Towner
Rae Broyles
Sherrie Posternak, honorable mention
Rodney Thompson, honorable mention
Mark Lavatelli, honorable mention
Elisabeth Burkholder
Binnie Birsten
Margo Mullen, 2nd prize
Yvonne Buijs- Mancuso
Cari Hernandez
Birgit Huttemann- Holz

I couldn't find links for some of the artists but will be happy to add them if anyone contacts me with them.

Wednesday, October 7, 2009

MadeINTERationally - exhibition at Slusser Gallery


MadeINTERationally
Curated by Sara Adlerstein-Gonzalez and Doug Hesseltine
Slusser Gallery, School of Art and Design University of Michigan Ann Arbor
until October 9, 2009

This is a big show - 16 artists in a range of media from paint, scultpture to video. The focus of the show is a commonality of experience: artists who have spent significant time internationally and how it informs their work. It’s a terrific show and is beautifully installed as well. The work is organic, mature and engaging and the installation intelligently allows the art to speak to each other making the whole stronger and more interesting yet.

The work ranges from Nora Venturelli’s lyrical nudes and Jordi López-Alert’s conte drawings on brown paper to highly abstract ceramics by John and Susanne Stephenson and Georgette Zirbes. The organic abstracted forms of the ceramics play beautifully off of Sara Adlerstein-Gonzalez’s paintings and Takeshi Takahara’s intaglio prints on an interesting range of substrates including carved wood and ceramic. Janie Paul’s austere drawings on panel are subtle and meditative, drawing on close for more in depth contemplation.

Takeshi Takahara - intaglio on carved wood


array of ceramic pieces - wall pieces are Susanne Stephenson, pieces on pedestals are John Stephenson


John Stephenson


Susanne Stephenson

Janie Paul - drawing on wood panel


Janie Paul's small drawings on panel quietly draw one in to inspect closely - there's a lot happening here but you need to get close to experience it.



Co-Curator Sara Adlerstein-Gonzalez's abstracted organic paintings
are reminiscent of cave paintings or natural objects to me. Her work has a sensibility which I find very engaging and this aesthetic shows throughout the entire exhibition. Much of the work in the exhibition echoes the palette in her own work- making for a very harmonious feel in the room.




Edward West's photographs have a painterly sensibility.


Nora Venturelli's multi-panel figurative work is elegant and beautifully drawn.



Jordi López-Alert's conte drawings on brown paper bags are more informally presented than the rest of the work shown here but somehow they have a gravitas that kept me from being perturbed by the inconsitency of their presentation. They are lyrical drawings and the roughness of the paper holds up to the informality of their hanging.


Georgette Zirbes' installation of tiles with shards of other work embedded.


Susan Crowell's polychrome ceramic wall installation


Endi Poskovic - 10 large woodcuts

Miriam Korolkovas - design and maquette for installation. I liked this piece but did feel that it was a lone exception which didn't tie into an otherwise tightly linked group of works. The maquette could have read as sculpture without the architectural graphic behind it. there is nothing intrinsically wrong with this piece but it didn't feel integrated into the exhibition as a whole - in a show which was otherwise very tightly linked to my mind.

Not shown but worth checking out are two video pieces, one by John Marshall and one by Tirtza Even. Marshall's video cleverly lines up scenes from Braveheart and Trainspotting to make trenchant commentary on his native Scotland and people's stereotypes of same. Even's video incorporates camera work which took me quite off balance - provocative if disconcerting.

This is a strong and engaging show - well worth taking the time to head up to North Campus to see.

[post edited to add information about Tirtza Even's work and to correct the spelling of Jordi López-Alert's name.]

Sunday, October 4, 2009

Embedded Light national encaustic show

Yesterday I delivered my three pieces to this national encaustic show juried by Chris McCauley. The exhibition is at the Grosse Pointe Art Center and the opening is Friday October 9 from 6:30 to 9:30pm. Here are my pieces in the show:

Greenland - ice and water, 18 x 24", encaustic & mixed media


breakthrough melt, 24 x 24", encaustic & mixed media


Greenland - melting channels, 24 x 24", encaustic & mixed media on panel

It looks like it will be an interesting exhibition with a wide range of work.

Wednesday, September 23, 2009

From rust belt to artist belt II - second of many....

I spent two days last week in Cleveland at From Rust Belt to Artist Belt II - a really terrific conference. I expect to write about it quite a bit. The conference focuses on transforming post-industrial cities in the midwest. It is put together by the Community Partnership for Arts and Culture (CPAC) in Cleveland. This year's conference was held in a number of arts venues which have been redeveloped in Cleveland - the Gordon Square Arts District and the 78th Street Studios - the latter is a former industrial space now houseing studios, galleries and other art space. There were multiple sessions and I'll write about a number of them over time but today I'm going to focus on the keynote.

The conference started out with a terrific keynote given by Ralf Ebert who spoke on Transformation Thru Culture and Culture thru Transformation. Ebert is a city planner - he is one of the cofounders of Stadtart and their site describes their work thus: Our team develops ideas, solutions and strategies within the triangle of CityRegion - Culture - Planning and cooperates with other planning consultancies throughout Europe.

Ebert lives and works in Dortmund Germany. Dortmund is in the Rühr section of Germany. This area was the core heavy industrial part of the country and has made a remarkable transformation into a cultural arena with many former industrial sites becoming arts venues. There has been an enormous focus on "change with no growth" - focusing on conservation, sustainability, celebrating the industrial heritage of the region and improving the cultural infrastructure.

Ebert said that the transformation started post WW II with unions and in the 60s artists looking for sites to transform and work in.

Key elements were
•conservation of industrial monuments - conversion into arts spaces
•improving cultural infrastructure - neighborhoods, studios, local venues as well as larger installations
•cultural flagship projects
–Zollverein Coal Mine Industrial Complex
_Landscape Park Duisburg-Nord
Inner Harbour Duisburg - regional landmarkss on top of old slagheaps
•establishment of cultural events
Extraschicht - night of industrial culture - bringing venue + content together
•Linking cultural projects with regional initiatives
•Youth focused projects

He mentioned several projects in particular - two examples - shaft signs - 900 defunct coal mine shafts will be marked in 2010 for 2 weeks with enormous helium balloons floating 80 meters above the entrance

calm-life - Rühr highway B-1 will be closed for 60 km and 30,000 tables will be set up to make an enormous street art fair with over 1.5 million people expected to attend

Another major initiative is setting up rent free spaces for artists from formerly vacant space.

Notable successes came from
Artists having an active role in the economy
Valuing the industrial heritage of the region
focusing on tourism
access to real estate and brown fields
support for development of knowledge based industry and temporary use of spaces
attracting start ups

Failures /discouragements

It takes a long time but cultural transformation has not stopped
The Rühr is an area with significant population loss - they haven't attracted significant influx but have kept loss to organic levels from low birthrate rather than major continuing exodus.

Lessons from the Rühr

Artists are needed as urban pioneers
Use landmarks as panorama
Network of artists, politicians, entrepreneurs, scientists is key
Multi=dimentional intergrational strategy - top down and bottom up at same time
German model depends heavily on state support for projects of all sizes, especially big ones
Promotional initiatives
Flagship projects attract attention - tourism, political capital and funding
Detroit should consider working to become a World Heritage site - Rust Belt - regional audience
Arts projects with international reputation, international conferences and meetings are key to bringing outside, cosmopolitan audience
not just high culture - pop culture links help bring people back from suburbs

link of cultural/creative industries and knowledge based industries will be important [more to come on this subject in particular]

I came away from this talk both inspired by the scope of the transformation that has and is taking place - and discouraged. Discouraged because today in a time of dire economy and a place where massive funding for the arts doesn't exist it's going to be a real uphill battle to effect change. Ralf Ebert is an interesting speaker and the projects he showed us were tremendously exciting. Even with our very different funding model than Germany's and our extremely challenged economy there are possibilities since economic crisis is also a time of unusual opportunities. My next post will be about a session where three people described amazing projects coming out of the bad economy.